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Peter Rex's avatar

The water/guiding water reframe is the sharpest move in here, and the 40/60 breakdown earns the argument in a way that abstract claims about judgment never quite do. You're writing from inside the practice and it shows.

The place I'd push: you get close to something harder in the 'building your judgment' section and then pull back into reassurance. The implication you don't quite follow is that the foundation has to exist before the tool, not alongside it. Judgment isn't just something you apply to AI output — it's something you develop through the friction of not having the shortcut available. The resistance of the blank page, the dead end that won't resolve, the draft that's wrong in ways you can't yet articulate but have to sit with until you can — that's the training ground. Speed removes exactly the conditions under which that capacity grows.

Which means the writers who start with these tools before they've built that foundation aren't just getting mediocre output. They're potentially training themselves out of the thing that would let them recognize it as mediocre. Your advice — learn the craft independently of the AI — is right. It's also probably the hardest sell in this entire conversation, because the tools are right there and the craft takes years.

None of that undermines what you're saying. It just suggests the stakes are higher than 'trust your taste.' The taste has to be built somewhere the AI can't reach.

As for a specific moment in working with AI, you already pointed at it, it is often the other way round. When the AI, in my case Claude as well, comes up with an idea, a direction I would have never thought of.

What also works nicely, for me, I build extensive character sheets, between 2k to 5k of words. I feed that into a GPT and have discussions with my characters, feed them with situations. I take what I like and forget the rest. But it is often quite eye-opening.

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